After leaving Bluth, Quaife-Hodge animated results for varied studios together with Hanna-Barbera, the place she labored on The Pagemaster and As soon as Upon a Forest. She additionally contributed to Richard Williams’s magnum opus The Thief and the Cobbler.
Finally, she moved to Disney, engaged on Nineties options Pocahontas, The Hunchback of Notre Dame, Hercules, and Tarzan. Later credit embody Warner Bros. hybrid function Osmosis Jones and Disney Channel’s The Proud Household.
Like many animators, Quaife-Hodge struggled to maintain her profession within the early 2000s, because the U.S.’s hand-drawn animation business was eroded by the rise of cg productions. With 2nd animation more and more subcontracted abroad, Quaife-Hodge spent a lot of the primary half of the last decade creating model guides for studios in Asia and Europe, exhibiting them “how you can do ‘stylish’ results the way in which I had realized to craft them,” as she wrote on her blog.
Round this time, she additionally started instructing life drawing and conventional animation at varied West Coast universities, together with Academy of Artwork College, California State College Channel Islands, and California State College, Fullerton. “When 2nd lastly makes its comeback,” she wrote, “I needed to have just a few pals in L.A.”
Certainly, she stayed near Bluth, signing as much as lead the consequences animation on a deliberate hand-drawn function based mostly on Dragon’s Lair. Bluth and producer Gary Goldman launched a crowdfunding marketing campaign in 2015, however the challenge by no means got here to mild — no less than, not as an animated film.
Quaife-Hodge posted animation loops, determine sketches, and different art work to her blog, which provides a superb impression of her skills as an artist. She additionally printed work on Youtube. Watch her show her approach for animating a splash of water within the video beneath:
Right here’s a hearth loop she uploaded to the weblog:
