When you use a wide-angle lens, you can put so much into the frame, it can be difficult to know what you should and shouldn’t include. Here, we look at a simple composition technique that you can use to enhance your wide-angle photography skills.
When I first started my photography journey as a backpacking college student, I usually used lenses in the 40-50mm range, as that was the focal length I was supposed to represent. for the best focal length for realistic, on-site street photography. I quickly gave up photographing people drinking coffee in small Parisian cafes and switched to surf photography, where I usually use the super-telephoto lens the most. So when I first got my hands on the 16mm lens and put it on a full-frame camera, I was stunned by all the things I could put into the frame compared to what I was used to. . But that poses its own challenges: what should I keep and what should I get rid of?
It’s a common concern among wide-angle lens users, and in this great video by Gareth Evans from Park Cameras, he walks us through a great composition tip to help you improve your photography. its wide angle. When you use a wide angle lens, you may struggle with having too much sky or too much background, or conversely, you may overcompensate and try to get too close to the subject to remove it. those distractions. What can you do? Think of your frame in three parts: don’t necessarily use the rule of thirds, but try to create emphasis in the three parts of the frame, whether it’s the foreground, the center, and the back. scene or three other parts. To see this practice in detail, watch the video and let me know what you think.
