The Lumix S5 II is Panasonic’s first full-frame mirrorless camera to offer hybrid phase-detection autofocus and a plethora of other cinematic video options. With all the new improvements on the S5 II, could it be an ideal choice as a full-fledged camcorder?
Cinema-oriented specs
In typical Panasonic style, Lumix S5 II Packed with useful video-oriented features, some of which include:
- Unlimited 4:2:2 10-bit C4K/4K recording without overheating
- Internal recording 4:2:0 10-bit 6K (3:2) / 5.9K (16:9)
- Dual IS 2 image stabilization, with 6.5 stops of camera shake compensation
- More than 14 stops of V-Log/V-Gamut . dynamic range
- Real-time LUT function for in-camera color grading by applying LUT files (.VLT/.cube) stored on your SD card
- Dual native ISO sensitivity
- Video support functions such as Waveform Monitor, Vector Range and Synchronous Scan
- Raw video output and All-Intra, ProRes recording on SSD
- Wired/wireless IP streaming and USB tethering
Turn the S5 II into a camcorder
Creator and Educator Armando Ferreira recently tested the Lumix S5 II on the set of a short film called Agony. It’s a “dirty and solid” short, showing the S5 II being used as a camcorder in a variety of situations. Armando uses the S5 II camcorder handheld, on his shoulder, on a tripod and even on a gimbal.
Watch the video above to learn all about how Armando set up his Lumix S5 II as a camcorder. He shares the pieces he used to build it, why he gives some of the choices he made during the build, and some sneak peeks of BTS from upcoming short film.
Personally, I can’t wait to see how the S5 II performs and look forward to seeing Agony when it launches later this week.
What do you think of the S5 II as a camcorder? Did you set up yours with a rig? Share your favorite tips and setups in the comments section below!
