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How music can affect our photography


Sometimes there is a surprising overlap between photography and music. The more we learn about music, the more we can understand how that knowledge can improve our photography.

At the same time that Beethoven, Chopin, Liszt, Mendelssohn, Paganini, and Schubert were at the peak of their musical prowess, Joseph Nicéphore Niépce created his first helicopter photo. Among those composers, Franz Liszt became the classical music artist’s equivalent of a rock star, with crowds gathering to watch him play. He even threw women’s underwear at him. None other than photographer Franz Seraph Hanfstaengl, took the picture for him.

And so the connection between music and photography was created. Over the past 100 years and especially from the 1940s onwards, photography has become an important part of motivating musicians. Photographing them has become a specialty, and several photographers have become closely associated with the various performers: Alfred Wertheimer photographing a young Elvis Presley; Astrid Kirchherr, Fiona Adams, Robert Freeman, Ethan Russell, Linda Eastman, and others photographed The Beatles; and Jim Marshall captured the iconic images of Johnny Cash at Folsom Prison.

These photographers were successful with what they did because their photos reflected the image those musicians portrayed in their work. Their art becomes an integral part of the music package.

But the connection between photography and music goes much deeper than that. Successful photography tells a story, as does music. To listen Morning from the Peer Gynt Suite by Edvard Grieg, could it describe anything other than sunrise over a beautiful Norwegian landscape? The same, similar, Camille Saint-Saëns ‘Danse Macabre brings to life the image of dancing skeletons. However, that is not limited to classical music. Different genres of music have the ability to conjure up images in our minds. Bluegrass, country and western, rock, punk, jazz, folk and funk all bring up very different images in our minds.

So are the photos. Just as the title and lyrics of a song reinforce the literal meaning of the music, the image has precise meaning in the description of the subject. However, the best photographs also have metaphorical and symbolic meanings. Metaphors or symbols can be intentional or unintentional, and the viewer can have a very different experience and is indeed from the photographer.

Like music, photos can evoke emotions. However, this is much harder for a photographer to achieve than for a musician because of the former’s literal interpretation of the world; it’s hard to see that past. Therefore, pictures that bring viewers to tears or make them laugh are much less common than music that does. Still, photos can be comforting, allowing us to get in touch with inaccessible places and people. Just as listening to some songs brings back fond memories of time spent with old friends, I certainly take comfort in seeing pictures of people I was close to but lost.

There is a universality in both photography and music, a common understanding of what each is, no matter where in the world we are. Although there are distinct differences in both musical and photographic styles depending on the cultural background of the creator, there is still a recognition and appreciation for them by the audience. For example, Japanese music and photography are quite different from what we produce in the West, but we can appreciate them.

Sadly, globalization is bringing a change in that. As we become more exposed to other cultures, the differences are eroding. We’re losing diversity, so many popular music around the world are becoming very similarThe same goes for photography. Fortunately, we live in a time when both photography and Musical traditions can be preserved.

It was a common complaint among older generations that modern music all sound the same; I remember my parents whining about it in the 1970s. However, it became an accurate statement when powerful music studios in the West used marketing techniques to limit limit our listening with relatively few musical styles. Furthermore, the range of notes that appear in most modern pop songs has been greatly reduced since peaking in the 1960s.

Ten years ago, Dr. Joan Serrà and his colleagues at the Institute of Artificial Intelligence of the National Research Council of Spain in Barcelona studied the timbre of music, “taking into account colour, texture or sound quality”; its pitch, roughly corresponds to “the harmonic content of the piece, including chords, melodies and tonal arrangements”; and magnitude. His research found that the timbre was reduced. However, while pitch uses the same notes today as it did 50 years ago, the variety in each track has diminished. But the music got louder. It will be interesting to know if that decline has continued over the past 10 years.

We can argue about whether the quality of the content in the image will experience the same degradation. The same cannot be said of trends in photographic technology; We know that colors, textures and tones have been improved. However, I believe there is a homogeneity of photographs where photographs in most genres are becoming mundane in their similarity. Personally, I believe that photographs from before the digital age, and especially before the 1970s, have the impeccable quality that photographs today lack.

When we used those words to describe the attributes of music – color, texture, tone – we found them to be striking, just like what we use to describe photos. Similarly, in both music and photography, we talk about rhythm, harmony, and contrast. The elements in a conflicting photo are not uniform, as are the musical notes.

In both photography and music, we talk about composition. The same math that we apply to photography can also be applied to music. Bartok, among others, used the golden ratio in his music. Symmetry can also be applied to music, as well as to photos.

I acknowledge that the following statement is false; However, there are similarities in the frequencies of sound and light. An octave consists of eight notes, with only seven left before the octave begins, just as there are seven colors in the visible spectrum: red, orange, yellow, green, blue, indigo, and violet, before we switch to ultraviolet light. Some people with aphakia can see that eighth color. The frequency of the sound doubles when we increase the sound by one octave. Similarly, the frequency of red light is approximately twice the frequency of ultraviolet light. Both sound and light are made of waves and can resonate and form interference fringes.

Both music and photography are closely associated with experimentation. The psychedelic sounds used on The Beatles Rubber Soul, Revolver and Sgt Pepper’s Lonely Hearts Club Band albums were reflected in the test shots and album cover artwork.

There is a difference between photos and music. Music is time, changing over time, while a lone photograph is a fixed moment. However, photos may be collected in collections that represent a period of time.

Ultimately, photography and music can inspire each other. There is a romantic concept of photographs that preserve memories of special moments, a nostalgic quality that musicians have chosen: Simon and Garfunkel, “Old Friends/Bonds”; REM, “Nightswimming”; Stereo, “Local Boy in a Picture”; Def Leppard, “Photos”; Ed Sheeran, “Photos”; and “Pictures” by Rihanna.

Similarly, we can use music to inspire us. Photographic artists can use the song title, lyrics, and emotion of a tune to influence them in their creation. as this blog post demonstrates. We can also let music bring us into a state of mind to project into our footage the feeling we’re trying to portray. Several studio photographers agree on music with the model to help both of them get in the right mood for the shoot. In addition, the music played at events can influence the style of images the photographer takes.

Have you used music in your photography? Is it an important part of your workflow? Great to hear your opinion.





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