Cinematographer Lewis Potts introduces us to his methods for creating indoor scenes, as well as the rest of the trailer he shot. However, there is something special worth sharing.
I think Potts’ video channel has a lot of useful insights. Also, this video is a great example of dolly use on location. Potts uses it for a variety of shots and angles. Squeezing more out of the dolly helps verify the setting of one position. However, this is not a cheap option and it may be necessary to double check to be sure that the dolly will fit.
For example, cranes and jib cranes cannot completely align with the subject when leaning up (see diagram below). A dolly with an extended arm is a much better idea. The lever will only work if you’re looking for a pan or still shot from above.
Also, having a dolly (and operator) on set can save a lot of headaches. It’s smoother and more predictable than a gimbal or a Steadicam, which makes the focus puller’s job a lot easier, so this means that execution is more likely to go smoothly. Chapman Leonard and JLFisher is a popular, high-end brand.
Unfortunately, dolly rentals are not cheap. Expect to pay around $500 per day. If you’re wondering how a lever can work on rails, Potts has another example on his channel too.
